Representing Multiculturalism in Comics and Graphic Novels
Fig. 1. Representing Multiculturalism in Comics and Graphic Novels. Courtesy of Routledge, 2014.

Routledge published a new book titled "Representing Multiculturalism in Comics and Graphic Novels" edited by Carolene Ayaka and Ian Hague.

Publication Data

Ayaka, Carolene & Hague, Ian (Eds.). Representing Multiculturalism in Comics and Graphic Novels. Routledge, 2014. ISBN: 978-1-13-802515-8.

Description

Multiculturalism, and its representation, has long presented challenges for the medium of comics. This book presents a wide ranging survey of the ways in which comics have dealt with the diversity of creators and characters and the (lack of) visibility for characters who don’t conform to particular cultural stereotypes. Contributors engage with ethnicity and other cultural forms from Israel, Romania, North America, South Africa, Germany, Spain, U.S. Latino and Canada and consider the ways in which comics are able to represent multiculturalism through a focus on the formal elements of the medium. Discussion themes include education, countercultures, monstrosity, the quotidian, the notion of the ‘other," anthropomorphism, and colonialism. Taking a truly international perspective, the book brings into dialogue a broad range of comics traditions.

Table of Contents

Introduction
Part I: Histories and Contexts
1. Multiculturalism Meets the Counterculture: Representing Racial Difference in Robert Crumb’s Underground Comix
2. The Impact of Latino Identities and the Humanizing of Multiculturalism in Love and Rockets
3. The Presidential Penis: Questions of Race and Representation in South African Comic and Satirical Art
Part II: Depicting Difference
4. Recognition and Resemblance: Facture, Imagination and Ideology in Depictions of Cultural and National Difference
5. ‘Badgers? We don’t need no steenkin’ badgers!’ Talbot’s Grandville, Anthropomorphism and Multiculturalism
6.The Image of the Foreigner in Historical Romanian Comics under Ceauşescu’s Dictatorship
Part III: Monstrosity and Otherness
7. The Monster Within and Without: Spanish Comics, Monstrosity, Religion, and Alterity
8.Colonialist Heroes and Monstrous Others: Stereotype and Narrative Form in British Adventure Comic Books
9. Set Pieces: Cultural Appropriation and the Search for Contemporary Identities in Shōnen Manga
Part IV: Challenging Assumptions
10. Narrative Exploration against Mentality Issues: Indirect Education for Multiculturalism in Tintin
11. Embracing Childish Perspective: Rutu Modan's A Royal Banquet With the Queen
Part V: Case Studies
12.An Innocent at Home: Scott Pilgrim and His Canadian Multicultural Contexts
13.The Lower East Side as Mishmash of Jewish Women’s Multicultural Images in Leela Corman’s Unterzakhn
14. They All Look Alike? Representations of East Asian Americans in Adrian Tomine’s Shortcomings and Scenes from an Impending Marriage
15. Tulips and Roses in a Global Garden: Speaking Local Identities in Persepolis and Tekkon Kinkreet

About the Authors

Carolene Ayaka has a doctorate in social policy from the University of Chichester. She did her MA in Gender studies and diversity at the University of Bradford. Her main area of interest is identity; how it is theorised and presented as well as its negotiations and diverseness (thus far having mainly focused on African female identity). Her interest in comics stems from her enjoyment of exploring how they are used to represent and translate people’s everyday lives and imagined lives.

Ian Hague is the director of Comics Forum (http://comicsforum.org), an academic organization that promotes the study of comics and related forms. He is the author of Comics and the Senses: A Multisensory Approach to Comics and Graphic Novels (Routledge 2014) as well as various articles and reviews, and he holds a PhD from the University of Chichester. He can be found online at www.ianhague.com and on Twitter@drianhague.

To order the book online visit the Routledge website.