Anonymous, 8 Apr 2020
Research on Middle East, Islam and digital media
keyword: Egypt

Book: Cairo Pop: Youth Music in Contemporary Egypt

The book examines the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel J. Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world.

New Book: Translating Dissent: Voices From and With the Egyptian Revolution

Focusing on the Egyptian experience since 2011, this volume brings together a unique group of activists who are able to reflect on the complexities, challenges and limitations of one or more forms of translation and its impact on their ability to interact with a variety of domestic and global audiences. Drawing on a wide range of genres and modalities, from documentary film and subtitling to oral narratives, webcomics and street art, the 18 essays reveal the dynamics and complexities of translation in protest movements across the world. Each unique contribution demonstrates some aspect of the interdependence of these movements and their inevitable reliance on translation to create networks of solidarity. The volume is framed by a substantial introduction by Mona Baker and includes an interview with Egyptian activist and film-maker, Philip Rizk.

Book: Media, Revolution and Politics in Egypt: The Story of an Uprising

The book examines the political and media dynamic in pre-and post-revolution Egypt and what it could mean for the country's democratic transition. We follow events through the period leading up to the 2011 revolution, eighteen days of uprising, military rule, an elected president's year in office, and his ouster by the military. Activism has expanded freedoms of expression only to see those spaces contract with the resurrection of the police state. And with sharpening political divisions, the facts have become amorphous as ideological trends cling to their own narratives of truth.

New Issue of the Arab Media and Society

The online journal Arab Media and Society has published its new issue (Issue 21, 2015) that focuses on pan-Arab TV channels, Egyptian media, and terrorism. Some articles include podcasts.

New Book: Preaching Islamic Renewal: Religious Authority and Media in Contemporary Egypt

The book examines the life and work of Muhammad Mitwalli Sha‘rawi, one of Egypt's most beloved and successful Islamic preachers. His wildly popular TV program aired every Friday for years until his death in 1998. At the height of his career, it was estimated that up to 30 million people tuned in to his show each week. Yet despite his pervasive and continued influence in Egypt and the wider Muslim world, Sha‘rawi was for a long time neglected by academics. While much of the academic literature that focuses on Islam in modern Egypt repeats the claim that traditionally trained Muslim scholars suffered the loss of religious authority, Sha‘rawi is instead an example of a well-trained Sunni scholar who became a national media sensation. As an advisor to the rulers of Egypt as well as the first Arab television preacher, he was one of the most important and controversial religious figures in late-twentieth-century Egypt.

New Book: Media and Political Contestation in the Contemporary Arab World: A Decade of Change

This book addresses the roles of various media in the shaping and active contestation of particular conflicts and political agendas in the Arab world. Interdisciplinary contributions examine the sociopolitical dynamics generated in and through media, with perspectives emerging from media studies, anthropology, religious studies, and political science. This book explores both new media and older media forms and formats including the press, satellite television, Facebook, Web 2.0 technology, posters, and music videos. Topics range across the politics of popular culture, women scholars' religious fatwas, the Palestinian visual public sphere, Hezbollah's media policy, women's presence on Arab satellite television, and the uses of Facebook in the Tunisian revolution.

New Book: Preaching Islamic Revival: Amr Khaled, Mass Media and Social Change in Egypt

The book examines the differences between Amr Khaled's pre-revolutionary and post-revolutionary messages and looking in-depth at how deals with the concepts of Islam and modernity. By examining issues such as Amr Khaled s use of mass media, his views on gender role and the nature of political and religious rule, the author offers a book which will appeal to those interested in the changes that Egypt has experienced over the last century.

New Book: Ten Arab Filmmakers: Political Dissent and Social Critique

The book provides an up-to-date overview of the best of Arab cinema, offering studies of leading directors and in-depth analyses of their most important films. The filmmakers profiled here represent principal national cinemas of the Arab world—Algeria, Egypt, Lebanon, Morocco, Palestine, and Syria. Although they have produced many of the region’s most-renowned films and gained recognition at major international festivals, with few exceptions these filmmakers have received little critical attention. All ten share a concern with giving image and voice to people struggling against authoritarian regimes, patriarchal traditions, or religious fundamentalism—theirs is a cinéma engagé.

New Issue of the Journal of Arab and Muslim Media Research

The Journal of Arab & Muslim Media Research released its new issue (Vol. 8, Issue 1, 2015), edited by Noureddine Miladi from the Qatar University. The issue focuses on media propaganda and journalism.

New Book: Surviving Images: Cinema, War, and Cultural Memory in the Middle East

The book explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national-independence struggle, and the postcolonial. Beginning with a study of British colonial cinema on the Sudan, then exploring anti-colonial cinema in Algeria, Egypt and Tunisia, followed by case studies of films emerging from postcolonial contexts in Palestine, Iran, Lebanon, and Israel, this work aims to fill a gap in the critical literature on both Middle Eastern cinemas, and to contribute more broadly to scholarship on social trauma and cultural memory in colonial and postcolonial contexts.
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