Although this book is diverse in perspective, each author seeks to expose how the content, institutions, and technologies of popular media alternately support—or undermine—the basic values of equality, human dignity, and social justice. By foregrounding such universal principles, the authors distinguish their arguments from critical/cultural scholarship that fails to acknowledge its own normative foundations and implicit theology of culture. The authors demonstrate the efficacy of this framework by applying it to specific case studies in popular media including theater, film, music, journalism, and digital culture. The book argues that the prophetic critique of mass media is essential to maintaining a productive tension between religious communities and the institutions of secular democracy.