Anonymous, 29 May 2017
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Kristin Peterson, Performing Piety and Perfection: The Affective Labor of Hijabi Fashion Videos, CyberOrient, Vol. 10, Iss. 1, 2016
CyberOrient

New Issue of the Journal of Arab and Muslim Media Research

The Journal of Arab & Muslim Media Research released its new issue (Vol. 8, Issue 3, 2015), edited by Noureddine Miladi from the Qatar University. The issue focuses on media representations of conflicts, portrayals of social groups, and social networks advertising.

New Book: Cinema in Muslim Societies

This book collates a comprehensive range of essays by leading authors on film from across the Muslim world. Responding to political and theoretical misconceptions about Islam and Muslim culture, it covers North African, Arab and Asian cinemas in a rich series of industry histories, single film studies and detailed analyses of celebrated directors. Cinema in Muslim Societies is innovative and timely in its explicit engagement with vexing questions of Islamic aesthetics, political activism, socialism and the role of women in Muslim contexts. The authors explore a wide variety of topics, from cinematic art and poetry to religious identity and pornography.
Ruth Tsuria, Islamophobia in Online Arab Media, CyberOrient, Vol. 9, Iss. 1, 2015
CyberOrient
Attila Kovacs, Visual Representation, Propaganda and Cyberspace: The Case of the Palestinian Islamist Movements, CyberOrient, Vol. 9, Iss. 1, 2015
CyberOrient

New Book: Muslim Fashion: Contemporary Style Cultures

The book contextualizes modest wardrobe styling within Islamic and global consumer cultures, interviewing key players including designers, bloggers, shoppers, store clerks, and shop owners. Focusing on Britain, North America, and Turkey, the author provides insights into the ways young Muslim women use multiple fashion systems to negotiate religion, identity, and ethnicity.

New Book: Media, Diaspora and Conflict: Nationalism and Identity Amongst Turkish and Kurdish Migrants in Europe

The book offers an analysis of how Turkish and Kurdish migrants in Europe react to the myriad mediated narratives. A vital element is how media outlets report and represent the ethno-national conflict between the Turkish state and the Kurdish PKK. Janroj Yilmaz Keles here offers an examination of how Turkish and Kurdish migrants in Europe react to the myriad narratives that arise. Taking as his starting point an analysis of the nature of nationalisms in the modern age, Keles shows how language is often a central element in the struggle for hegemony within a state. The media has become a site for the clash of representations in both Turkish and Kurdish languages, especially for those based in the diaspora in Europe.

New Book: Digital Passages: Migrant Youth 2.0: Diaspora, Gender and Youth Cultural Intersections

The book is a ground-breaking analysis of the ways that youth culture online interacts with issues of diaspora, gender, and belonging. Drawing on surveys, in-depth interviews, and ethnography, the author builds an interdisciplinary portrait of online youth culture and the spaces it opens up for migrant youth to negotiate power relations and to promote intercultural understanding.

New Book: Women and Media in the Middle East: From Veiling to Blogging

This book investigates the diverse realities and complexities of women in the Middle East in terms of their relationship with media platforms old and new. Contributors offer a range of perspectives that discuss everything from media portrayals of the veil to women in film and television, from women’s involvement as activists on the street to the role played in the Arab Spring by cyber activism. The collection provides insight into how some women in the Middle East are utilizing traditional as well as new media for purposes of self-expression, activism, and democratization, while also investigating media portrayals of women at home and in the West.

New Book: Surviving Images: Cinema, War, and Cultural Memory in the Middle East

The book explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national-independence struggle, and the postcolonial. Beginning with a study of British colonial cinema on the Sudan, then exploring anti-colonial cinema in Algeria, Egypt and Tunisia, followed by case studies of films emerging from postcolonial contexts in Palestine, Iran, Lebanon, and Israel, this work aims to fill a gap in the critical literature on both Middle Eastern cinemas, and to contribute more broadly to scholarship on social trauma and cultural memory in colonial and postcolonial contexts.
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